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@@ -10,31 +10,10 @@ on:
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jobs:
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jobs:
|
||||||
publish:
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publish:
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runs-on: ubuntu-latest
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uses: novoyuuparosk-wiki/novoyuuparosk-auto-wiki/.gitea/workflows/publish-songs.yml@master
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||||||
container:
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with:
|
||||||
image: novoyuuparosk-wiki-runner:latest
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SOURCE_REF: ${{ github.sha }}
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||||||
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# Empty on workflow_dispatch — the reusable workflow treats that as
|
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steps:
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# "publish everything", same as a first push.
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||||||
- name: Checkout ncmr-songs
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SOURCE_BASE_REF: ${{ github.event.before }}
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||||||
env:
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secrets: inherit
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FAPAT: ${{ secrets.FAPAT }}
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URL_TO_GITEA: ${{ vars.URL_TO_GITEA }}
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run: |
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git clone "http://mikkeli:${FAPAT}@${URL_TO_GITEA#http://}/mikkeli/ncmr-songs" ncmr-songs
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git -C ncmr-songs checkout ${{ github.sha }}
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- name: Checkout auto-wiki (renderer)
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env:
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FAPAT: ${{ secrets.FAPAT }}
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URL_TO_GITEA: ${{ vars.URL_TO_GITEA }}
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run: git clone "http://mikkeli:${FAPAT}@${URL_TO_GITEA#http://}/mikkeli/novoyuuparosk-auto-wiki" auto-wiki
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||||||
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||||||
- name: Publish
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||||||
env:
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WIKI_API_URL: ${{ vars.WIKI_API_URL }}
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WIKI_BASE_URL: ${{ vars.WIKI_BASE_URL }}
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WIKI_BOT_USER: ${{ secrets.WIKI_BOT_USER }}
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WIKI_BOT_PASSWORD: ${{ secrets.WIKI_BOT_PASSWORD }}
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SOURCE_REF: ${{ github.sha }}
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GITEA_REPO_URL: ${{ vars.URL_TO_GITEA }}/mikkeli/ncmr-songs
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run: python auto-wiki/pipelines/songs/publish.py --source-dir ncmr-songs --all
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@@ -1,2 +1,51 @@
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# Northwich committee of magic researches songs repository
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# Northwich committee of magic researches songs repository
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||||||
Just a collection of lyrics of songs. Probably will be managed into proper folders. Probably will have LRCs.
|
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Just a collection of lyrics of songs. Probably will be managed into proper folders. Probably will have LRCs.
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## Publishing to the wiki
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||||||
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||||||
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Song pages are auto-published to <https://wiki.novoyuuparosk.org> by the
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**songs pipeline** in the companion repo `novoyuuparosk-auto-wiki` (the
|
||||||
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"repo next door"). It triggers on push to `master`.
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||||||
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- **Source-file contract** (frontmatter fields, body conventions): see
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[`pipelines/songs/SCHEMA.md`](../novoyuuparosk-auto-wiki/pipelines/songs/SCHEMA.md)
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in `novoyuuparosk-auto-wiki`.
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||||||
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- **Pipeline overview** (branch convention, triggers, categories, LRC, etc.):
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[`pipelines/songs/README.md`](../novoyuuparosk-auto-wiki/pipelines/songs/README.md).
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In short: a file is published when its frontmatter has `wiki.publish: true`
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and it isn't under `wip/`. The `title` field becomes the wiki page name.
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## Side-by-side lyrics (columns shorthand)
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||||||
|
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||||||
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To lay two (or more) versions of a song next to each other — e.g. an original
|
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and its translation — use a fenced code block tagged `columns`, with each
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column separated by a line containing only `===`:
|
||||||
|
|
||||||
|
````markdown
|
||||||
|
```columns
|
||||||
|
**原題**
|
||||||
|
|
||||||
|
一行目
|
||||||
|
二行目
|
||||||
|
===
|
||||||
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**Title**
|
||||||
|
|
||||||
|
first line
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||||||
|
second line
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||||||
|
```
|
||||||
|
````
|
||||||
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||||||
|
Notes:
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||||||
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||||||
|
- Line breaks and blank lines are preserved verbatim (each column is rendered
|
||||||
|
with line breaks intact).
|
||||||
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- `N` columns ⇒ `N − 1` `===` separators.
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||||||
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- Use Markdown emphasis inside the block: `*italic*`, `**bold**`,
|
||||||
|
`***bold-italic***`. (No need for raw HTML.)
|
||||||
|
|
||||||
|
This is implemented entirely by the auto-wiki pipeline at publish time; the
|
||||||
|
authoritative description lives in
|
||||||
|
[`SCHEMA.md`](../novoyuuparosk-auto-wiki/pipelines/songs/SCHEMA.md#columns-side-by-side-shorthand).
|
||||||
|
See [`kairo/kimito_en.md`](kairo/kimito_en.md) for a real example.
|
||||||
|
|||||||
+95
-1
@@ -1 +1,95 @@
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placeholder until I remember what the new title actually would be
|
---
|
||||||
|
title: You and me and a gentle journey
|
||||||
|
album: kairo III
|
||||||
|
categories:
|
||||||
|
- kairo
|
||||||
|
wiki:
|
||||||
|
publish: true
|
||||||
|
release_date: 2026-06-14
|
||||||
|
---
|
||||||
|
|
||||||
|
# You and me and a gentle journey
|
||||||
|
|
||||||
|
The classic. Old working notes in [another page](Looking_into_You_and_me_\(ry_and_a_brand_new_translation).
|
||||||
|
|
||||||
|
## Lyrics
|
||||||
|
```columns
|
||||||
|
**君と私と穏やかな旅**
|
||||||
|
|
||||||
|
いつか見た夢の話
|
||||||
|
遠い遠い国のこと
|
||||||
|
仕舞い忘れた
|
||||||
|
私たちの旅
|
||||||
|
|
||||||
|
忘れ物
|
||||||
|
置いてきた
|
||||||
|
網棚の上にあった
|
||||||
|
|
||||||
|
まだ時間が
|
||||||
|
かかるみたい
|
||||||
|
寝てていいよ
|
||||||
|
ほら肩にもたれて
|
||||||
|
|
||||||
|
深い深い眠りに落ちると
|
||||||
|
聞こえるの
|
||||||
|
ほら 懐かしい声
|
||||||
|
君の声
|
||||||
|
|
||||||
|
二人ならどこまででも
|
||||||
|
行けると信じていると
|
||||||
|
笑う君を
|
||||||
|
ああ愛しいと思う
|
||||||
|
|
||||||
|
流れてく景色
|
||||||
|
揺れる列車とこの思いが
|
||||||
|
紡ぐ旅に
|
||||||
|
今は身を任せよ
|
||||||
|
|
||||||
|
二人で歩けないなら
|
||||||
|
そこに意味はないんだと
|
||||||
|
泣いた君を
|
||||||
|
ああ美しいと思う
|
||||||
|
|
||||||
|
境界を越えて届け
|
||||||
|
あの日の記憶の欠片
|
||||||
|
いつか思い出すよ
|
||||||
|
この旅路を
|
||||||
|
===
|
||||||
|
**You and me and a gentle journey**
|
||||||
|
|
||||||
|
You know there was a dream I had long ago
|
||||||
|
Of a somewhere that is far away
|
||||||
|
And a journey for the two of us
|
||||||
|
An end I am yet to have you see
|
||||||
|
|
||||||
|
All of the lost stuff
|
||||||
|
Collecting but dust
|
||||||
|
Forgotten up there on overhead racks
|
||||||
|
|
||||||
|
It’s going to take time
|
||||||
|
Until the end and should
|
||||||
|
(should) you feel like dreaming
|
||||||
|
You’re always welcome on my shoulder
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
A voice of comfort
|
||||||
|
A voice of yours
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
The scenery a-flowing by
|
||||||
|
The swaying train, and this feeling merged and intertwined
|
||||||
|
In a stream of journey to which
|
||||||
|
For now I shall give myself away
|
||||||
|
|
||||||
|
If not with me you abide
|
||||||
|
There won’t be not such meaningful events left
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
To go across the borderline
|
||||||
|
```
|
||||||
@@ -0,0 +1,19 @@
|
|||||||
|
[ar:Northwich committee of magic researches]
|
||||||
|
[ti:transform (feat. 結月ゆかり)]
|
||||||
|
[al:kairo II]
|
||||||
|
|
||||||
|
[00:48.62]いつか夜空に響いた
|
||||||
|
[00:55.20]星の歌を探すために
|
||||||
|
[01:00.48]周波数を回しながら私は
|
||||||
|
[01:09.41]旅に出た。
|
||||||
|
[01:12.48]
|
||||||
|
[04:58.42]失われた電波は
|
||||||
|
[05:04.43]探さなくていいよ
|
||||||
|
[05:10.52]地を歩き続けて
|
||||||
|
[05:16.18]会いに行かなくていいよ
|
||||||
|
[05:22.12]
|
||||||
|
[05:22.49]星の心が歌った旋律は
|
||||||
|
[05:30.27]境界を越えた
|
||||||
|
[05:34.48]この片隅にいる魂に
|
||||||
|
[05:42.23]まだ振れているから
|
||||||
|
[05:46.99]
|
||||||
+20
-1
@@ -1,5 +1,20 @@
|
|||||||
|
---
|
||||||
|
title: transform
|
||||||
|
album: kairo II
|
||||||
|
categories:
|
||||||
|
- kairo
|
||||||
|
wiki:
|
||||||
|
publish: true
|
||||||
|
release_date: 2025-11-21
|
||||||
|
lrc: transform.lrc
|
||||||
|
---
|
||||||
|
|
||||||
# transform
|
# transform
|
||||||
|
|
||||||
|
The title is stylised in full lowercase: `transform`
|
||||||
|
|
||||||
|
## Lyrics
|
||||||
|
|
||||||
いつか夜空に響いた
|
いつか夜空に響いた
|
||||||
星の歌を探すために
|
星の歌を探すために
|
||||||
周波数を回しながら私は
|
周波数を回しながら私は
|
||||||
@@ -14,4 +29,8 @@
|
|||||||
星のこころが歌った旋律は
|
星のこころが歌った旋律は
|
||||||
境界を越えた
|
境界を越えた
|
||||||
この片隅にいる魂に
|
この片隅にいる魂に
|
||||||
まだ振れているから
|
まだ振れているから
|
||||||
|
|
||||||
|
## Notes
|
||||||
|
|
||||||
|
I'll write something here when I feel I should. Or when 556t finally gives me her polished vocals.
|
||||||
@@ -0,0 +1,31 @@
|
|||||||
|
[ar:Northwich committee of magic researches]
|
||||||
|
[ti:复兴岛]
|
||||||
|
[al:Post-alternative extended progressive technojazz, Part II: rovers]
|
||||||
|
|
||||||
|
[01:11.01]六小时后太阳就要落山
|
||||||
|
[01:14.15]但当下阳光还在洒满路面
|
||||||
|
[01:18.88]除了树荫
|
||||||
|
[01:20.08]和高耸的曾是酒店的
|
||||||
|
[01:24.41]建筑的阴影
|
||||||
|
[01:26.48]
|
||||||
|
[01:26.92]地下人来人往地铁车厢穿梭
|
||||||
|
[01:30.63]而无人驻足
|
||||||
|
[01:33.49]
|
||||||
|
[01:34.71]地上的卡车
|
||||||
|
[01:36.08]水中的驳船
|
||||||
|
[01:37.60]掉色的塔吊
|
||||||
|
[01:40.14]是常驻的过客
|
||||||
|
[01:42.48]
|
||||||
|
[02:14.92]七公里外灯光开始璀璨
|
||||||
|
[02:18.64]停滞的车辆与车辆与车辆
|
||||||
|
[02:22.14]与沉醉的人
|
||||||
|
[02:24.14]忘记了或者从不知道(没知道过)
|
||||||
|
[02:27.85]波涛的寂静和汹涌
|
||||||
|
[02:30.45]
|
||||||
|
[02:30.67]今天的鸡蛋灌饼已经收摊
|
||||||
|
[02:35.06]那明天呢
|
||||||
|
[02:37.47]
|
||||||
|
[02:38.93]时代走得太快
|
||||||
|
[02:40.84]即将追上这缓慢的
|
||||||
|
[02:43.88]从未停止的步伐
|
||||||
|
[02:46.46]
|
||||||
+15
-1
@@ -1,5 +1,19 @@
|
|||||||
|
---
|
||||||
|
title: 复兴岛
|
||||||
|
album: Post-alternative extended progressive technojazz, Part II
|
||||||
|
categories:
|
||||||
|
- Paxprotej
|
||||||
|
wiki:
|
||||||
|
publish: true
|
||||||
|
siblings:
|
||||||
|
release_date: 2023-12-25
|
||||||
|
lrc: fuxingdao.lrc
|
||||||
|
---
|
||||||
|
|
||||||
# 复兴岛
|
# 复兴岛
|
||||||
|
|
||||||
|
## Lyrics
|
||||||
|
|
||||||
六小时后太阳就要落山
|
六小时后太阳就要落山
|
||||||
但当下阳光还在洒满路面
|
但当下阳光还在洒满路面
|
||||||
除了树荫
|
除了树荫
|
||||||
@@ -24,4 +38,4 @@
|
|||||||
|
|
||||||
时代走得太快
|
时代走得太快
|
||||||
即将追上这缓慢的
|
即将追上这缓慢的
|
||||||
从未停止的步伐
|
从未停止的步伐
|
||||||
|
|||||||
@@ -0,0 +1,71 @@
|
|||||||
|
[ti:Paranoma (full version)]
|
||||||
|
[ar:Northwich committee of magic researches]
|
||||||
|
[al:Post-alternative extended progressive technojazz, Part II: rovers]
|
||||||
|
|
||||||
|
[00:00.00]Paranoma[1]
|
||||||
|
[00:27.20]
|
||||||
|
[00:30.06]馴染みのなかった街に降りて
|
||||||
|
[00:33.90]人の流れに潜り込んで
|
||||||
|
[00:38.57]痺れる日常からの
|
||||||
|
[00:40.76]僅か数千分の逃避行は
|
||||||
|
[00:44.35]今から始まる。
|
||||||
|
[00:45.79]
|
||||||
|
[00:46.68]地図でしか見てなかった世界を
|
||||||
|
[00:49.13]足と目で確かめながら
|
||||||
|
[00:51.85]呼び方も知らない、意味も分からない全てを
|
||||||
|
[00:56.19]密やかにこの脳に
|
||||||
|
[00:58.50]パノラマで写す。
|
||||||
|
[01:01.16]
|
||||||
|
[05:25.10]他人の枠組みに入れない旅人は
|
||||||
|
[05:28.44]旅先をふるさとにするつもりもない。
|
||||||
|
[05:32.96]期間限定の旅を終わらせないと
|
||||||
|
[05:36.80]逃げられない常設に墜ちてなるから。
|
||||||
|
[05:39.28]
|
||||||
|
[07:13.74]Paranoma[0]
|
||||||
|
[07:36.89]
|
||||||
|
[07:44.64]私は…私たちは…
|
||||||
|
[08:08.28]私たちは道です。私たちは、生命のない、旅を支えたものです。
|
||||||
|
[08:15.52]
|
||||||
|
[08:31.07]足の代替としての私たちはただ、人を行きたいところに運ぶ。
|
||||||
|
[08:38.76]生命じゃなく寿命がある私たちは、寿命が終わるまで人間と付き合い続けている。
|
||||||
|
[08:46.95]人間が出会いをする時。
|
||||||
|
[08:50.04]人間が別れをする時。
|
||||||
|
[08:53.66]人間が喜びを感じる時。
|
||||||
|
[08:57.07]人間が寂しさを感じる時。
|
||||||
|
[09:00.41]人間が人間らしいことをする時。
|
||||||
|
[09:04.29]人間が人間らしく感情を感じる時。
|
||||||
|
[09:09.16]生命も感情もない私たちは、生命も感情も有する人間たちの記憶の一部になる。
|
||||||
|
[09:17.53]
|
||||||
|
[09:19.00]それが楽しいことであろうか、私たちはわからないけど。
|
||||||
|
[09:24.70]それが悲しいことであろうか、私たちはわからないけど。
|
||||||
|
[09:31.27]それが素晴らしいことであろうか、私たちはわからないけど。
|
||||||
|
[09:37.59]それがくだらないことであろうか、私たちはわからないけど。
|
||||||
|
[09:43.55]
|
||||||
|
[09:44.59]それが美しいことであろうか、私たちはわからないけど。
|
||||||
|
[09:49.44]
|
||||||
|
[09:49.97]わかるはずもないけど。
|
||||||
|
[09:51.78]
|
||||||
|
[10:51.54]道は旅の目的ではなく、手段であるはずでした。
|
||||||
|
[10:58.08]でも道にも美しさが宿っている。
|
||||||
|
[11:06.90]私たちの旅は道に刻まれ、道は私たちの旅に刻まれた。
|
||||||
|
[11:13.98]例え私たちが消えても、道が消えても、
|
||||||
|
[11:18.59]記憶は生き続けるだろう。
|
||||||
|
[11:21.85]
|
||||||
|
[11:55.79]Paranoma[2]
|
||||||
|
[12:16.05]
|
||||||
|
[12:18.87]ひとりで旅立つのは好きです。
|
||||||
|
[12:24.58]ひとりで見た景色と、通った道が好きです。
|
||||||
|
[12:30.61]孤独が嫌いではないけど、
|
||||||
|
[12:36.31]ひとりの旅は決して孤独の旅ではない。
|
||||||
|
[12:40.71]
|
||||||
|
[15:27.69]湯のない風呂と煙のない煙突
|
||||||
|
[15:30.76]崩れ続ける鉄道橋と解体されている発電所
|
||||||
|
[15:34.76]錆びた道路標識と剥がれた防錆塗装
|
||||||
|
[15:38.01]トンネルを終わらせる光と雪に埋めた電波塔
|
||||||
|
[15:41.24]人気のない街とアスファルトに残った足跡
|
||||||
|
[15:45.31]誰かがそれを見たでしょう。誰かがそれを見るだろう。
|
||||||
|
[15:50.05]
|
||||||
|
[17:11.95]いつか見た景色が
|
||||||
|
[17:15.08]幾千の目に映ったことを想像して
|
||||||
|
[17:19.79]世界と非同期に繋がる
|
||||||
|
[17:23.76]
|
||||||
+16
-2
@@ -1,5 +1,19 @@
|
|||||||
|
---
|
||||||
|
title: Paranoma
|
||||||
|
album: Post-alternative extended progressive technojazz, Part II
|
||||||
|
categories:
|
||||||
|
- Paxprotej
|
||||||
|
wiki:
|
||||||
|
publish: true
|
||||||
|
siblings:
|
||||||
|
release_date: 2024-06-09
|
||||||
|
lrc: paranoma.lrc
|
||||||
|
---
|
||||||
|
|
||||||
# Paranoma
|
# Paranoma
|
||||||
|
|
||||||
|
## Lyrics
|
||||||
|
|
||||||
**[1]**
|
**[1]**
|
||||||
馴染みのなかった街に降りて
|
馴染みのなかった街に降りて
|
||||||
人の流れに潜り込んで
|
人の流れに潜り込んで
|
||||||
@@ -64,4 +78,4 @@
|
|||||||
|
|
||||||
いつか見た景色が
|
いつか見た景色が
|
||||||
幾千の目に映ったことを想像して
|
幾千の目に映ったことを想像して
|
||||||
世界と非同期に繋がる
|
世界と非同期に繋がる
|
||||||
|
|||||||
@@ -0,0 +1,45 @@
|
|||||||
|
[00:32.41]‘Where next should I go?’
|
||||||
|
[00:34.63]I ask myself
|
||||||
|
[00:39.25]One thing I certainly hold
|
||||||
|
[00:42.43]There is no home
|
||||||
|
[00:45.67]
|
||||||
|
[00:46.90]In the sauna with different other souls
|
||||||
|
[00:50.77]I speak a language no one else knows
|
||||||
|
[00:55.08]My voice quite low
|
||||||
|
[00:59.42]Purposely so
|
||||||
|
[01:01.49]
|
||||||
|
[01:02.18]The trip goes on without a terminal
|
||||||
|
[01:06.01]To places that grow or dwindle
|
||||||
|
[01:09.68]Where folks young or old
|
||||||
|
[01:13.68]Have their stories often yet never told
|
||||||
|
[01:19.18]
|
||||||
|
[02:45.15]All the people going somewhere in heat or cold
|
||||||
|
[02:53.37]On the trains, on the ships, on the decorated personal vehicles
|
||||||
|
[03:01.15]Are waiting for a whistle to blow
|
||||||
|
[03:07.74]In the real thin air or a simulated role
|
||||||
|
[03:16.16]
|
||||||
|
[03:16.69]Around the corner in the artificial tide
|
||||||
|
[03:21.96]Someone sings a song about another day in life
|
||||||
|
[03:28.01]Routines I have witnessed with my own eyes
|
||||||
|
[03:36.28]None of which mine
|
||||||
|
[03:39.79]
|
||||||
|
[04:10.33]From the concrete jungle where hopes and dreams die
|
||||||
|
[04:15.32]To the lonely northern monument covered in ice
|
||||||
|
[04:20.29]In the silent alley in decay stuck in time
|
||||||
|
[04:24.16]Between the rails and rails cut off by the keep out signs
|
||||||
|
[04:29.45]Off the reflective glass walls lit by the neon lights
|
||||||
|
[04:34.54]Amidst the snowstorm with lorries at roadsides
|
||||||
|
[04:39.51]Under the memorial tents singing Irene goodnight
|
||||||
|
[04:44.61]There's a ghost passing by
|
||||||
|
[04:48.63]
|
||||||
|
[06:05.38]Random footprints scatter
|
||||||
|
[06:08.04]Over the imaginary hills and far away
|
||||||
|
[06:13.16]Visualised memories of all the journeys
|
||||||
|
[06:17.16]Etched into my skin and bones
|
||||||
|
[06:20.61]
|
||||||
|
[06:21.08]Rearranged faces from the past
|
||||||
|
[06:24.66]Orient towards a new crossroad
|
||||||
|
[06:28.93]Visions of the future destinations
|
||||||
|
[06:31.70]Emerge to remind I’ll be a
|
||||||
|
[06:34.41]Rover till I die
|
||||||
|
[06:36.80]
|
||||||
+15
-1
@@ -1,5 +1,19 @@
|
|||||||
|
---
|
||||||
|
title: rover over virtually eternal roundabouts
|
||||||
|
album: Post-alternative extended progressive technojazz, Part II
|
||||||
|
categories:
|
||||||
|
- Paxprotej
|
||||||
|
wiki:
|
||||||
|
publish: true
|
||||||
|
siblings:
|
||||||
|
release_date: 2023-11-03
|
||||||
|
lrc: rover.lrc
|
||||||
|
---
|
||||||
|
|
||||||
# rover over virtually eternal roundabouts
|
# rover over virtually eternal roundabouts
|
||||||
|
|
||||||
|
## Lyrics
|
||||||
|
|
||||||
In the sauna with different other souls
|
In the sauna with different other souls
|
||||||
I speak a language no one else knows
|
I speak a language no one else knows
|
||||||
My voice quite low
|
My voice quite low
|
||||||
@@ -71,4 +85,4 @@ Rover till I die
|
|||||||
*新しい交差点へ向かう*
|
*新しい交差点へ向かう*
|
||||||
*次々の目的地の幻影が現れ*
|
*次々の目的地の幻影が現れ*
|
||||||
*再び思い出させた私は*
|
*再び思い出させた私は*
|
||||||
*死ぬまでローヴァー*
|
*死ぬまでローヴァー*
|
||||||
|
|||||||
@@ -0,0 +1,65 @@
|
|||||||
|
[ar:Northwich committee of magic researches]
|
||||||
|
[ti:sauna as ubiquitous neural analeptic]
|
||||||
|
[al:Post-alternative extended progressive technojazz, Part II: rovers]
|
||||||
|
|
||||||
|
[00:34.84]Waking up from the illusions last night
|
||||||
|
[00:39.11]In a desert of cliches and mirages
|
||||||
|
[00:42.95]They have beautiful names and murderous decorations
|
||||||
|
[00:47.64]For them starry-eyed storm chasers
|
||||||
|
[00:51.34]While we are rovers that no one would come after
|
||||||
|
[00:55.46]My stereo blasting unsung classics
|
||||||
|
[01:00.13]On our way of an escape from
|
||||||
|
[01:02.49]Psychedelic asphyxiation
|
||||||
|
[01:06.73]
|
||||||
|
[01:24.49]Come is the cloud with boots of rain
|
||||||
|
[01:28.18]Pouring down into the fjords and lagging the train
|
||||||
|
[01:32.61]Our last umbrella lost in vain
|
||||||
|
[01:36.46]Only tears remain on the radar display
|
||||||
|
[01:40.25]The lonely arctic spring creeps into my brain
|
||||||
|
[01:45.00]The circuit in my vein weeps
|
||||||
|
[01:47.46]Over the birth and destined death of yet another
|
||||||
|
[01:54.41]Poetic creation
|
||||||
|
[01:56.83]
|
||||||
|
[02:30.95]I try to be a seeker, a lover and a distributor
|
||||||
|
[02:36.01]Of the ultimate hype about
|
||||||
|
[02:39.30]A multitude of neural communications
|
||||||
|
[02:42.43]Excited by the raving steam coming off your stone
|
||||||
|
[02:46.55]My songs are the fuel for the heating solution
|
||||||
|
[02:51.55]So we set out for the poet annihilation
|
||||||
|
[02:54.99]In search for a salvation to both parties’
|
||||||
|
[02:59.93]Existential problems
|
||||||
|
[03:03.62]
|
||||||
|
[03:54.80]The setting sun and an extended lack of daylight
|
||||||
|
[03:59.10]I crave for my sanity veering out of my sight
|
||||||
|
[04:02.65]The teletext says it’ll snow again tonight
|
||||||
|
[04:07.68]To extinguish every endless fight
|
||||||
|
[04:11.19]We still can’t resist the temptation to hate
|
||||||
|
[04:15.12]And we strive to avoid devastation as fate
|
||||||
|
[04:19.31]Then we just recover the remains
|
||||||
|
[04:23.39]Of our own conclusions
|
||||||
|
[04:27.05]
|
||||||
|
[04:28.36]Some other day when the time has come
|
||||||
|
[04:32.50]All the radio stations down and gone
|
||||||
|
[04:37.09]Unchained emotional outbursts
|
||||||
|
[04:41.12]Necessarily overrides our internal
|
||||||
|
[04:45.56]Appropriate libidos
|
||||||
|
[04:48.94]
|
||||||
|
[04:53.39]Say goodbye to the beautiful dreams
|
||||||
|
[04:57.62]As the engine sings against the drums
|
||||||
|
[05:02.01]Usurping the memories of the fallen
|
||||||
|
[05:06.15]Noise overwhelmed by the melodies
|
||||||
|
[05:10.56]Absurdly comforting
|
||||||
|
[05:14.01]
|
||||||
|
[05:18.41]Some other day when the time has come
|
||||||
|
[05:22.62]All the radio stations down and gone
|
||||||
|
[05:27.28]Unchained emotional outbursts
|
||||||
|
[05:31.24]Necessarily overrides our internal
|
||||||
|
[05:35.64]Appropriate libidos
|
||||||
|
[05:39.03]
|
||||||
|
[05:43.44]Say goodbye to the beautiful dreams
|
||||||
|
[05:47.68]As the engine sings against the drums
|
||||||
|
[05:52.03]Usurping the memories of the fallen
|
||||||
|
[05:56.22]Noise overwhelmed by the melodies
|
||||||
|
[06:00.70]Absurdly comforting
|
||||||
|
[06:04.89]Absurdly comforting
|
||||||
|
[06:08.25]
|
||||||
+17
-1
@@ -1,5 +1,21 @@
|
|||||||
|
---
|
||||||
|
title: sauna as ubiquitous neural analeptic
|
||||||
|
album: Post-alternative extended progressive technojazz, Part II
|
||||||
|
categories:
|
||||||
|
- Paxprotej
|
||||||
|
wiki:
|
||||||
|
publish: true
|
||||||
|
siblings:
|
||||||
|
release_date: 2024-06-13
|
||||||
|
lrc: sauna_v2.lrc
|
||||||
|
---
|
||||||
|
|
||||||
# sauna as ubiquitous neural analeptic
|
# sauna as ubiquitous neural analeptic
|
||||||
|
|
||||||
|
This is the acoustic refurbished version of the 2022 song `sauna as universal neural analeptic` (which is yet to get a page).
|
||||||
|
|
||||||
|
## Lyrics
|
||||||
|
|
||||||
Waking up from the illusions last night
|
Waking up from the illusions last night
|
||||||
In a desert of cliches and mirages
|
In a desert of cliches and mirages
|
||||||
They have beautiful names and murderous decorations
|
They have beautiful names and murderous decorations
|
||||||
@@ -60,4 +76,4 @@ As the engine sings against the drums
|
|||||||
Usurping the memories of the fallen
|
Usurping the memories of the fallen
|
||||||
Noise overwhelmed by the melodies
|
Noise overwhelmed by the melodies
|
||||||
Absurdly comforting
|
Absurdly comforting
|
||||||
Absurdly comforting
|
Absurdly comforting
|
||||||
|
|||||||
@@ -0,0 +1,12 @@
|
|||||||
|
[02:15.45](narration)
|
||||||
|
[02:39.56]
|
||||||
|
[04:28.83]黒い黒いダイヤは
|
||||||
|
[04:35.43]二度眠りに落ちた
|
||||||
|
[04:42.08]煤けた煙突は
|
||||||
|
[04:48.75]一つずつ土に帰った
|
||||||
|
[04:54.99]
|
||||||
|
[04:55.36]見慣れた日常が
|
||||||
|
[05:02.12]なくなり続けても
|
||||||
|
[05:08.78]清い水はこの沢に
|
||||||
|
[05:15.44]ただ流れていく
|
||||||
|
[05:22.09]
|
||||||
@@ -1,5 +1,20 @@
|
|||||||
|
---
|
||||||
|
title: Shimizusawa
|
||||||
|
album: Post-alternative extended progressive technojazz, Part II
|
||||||
|
categories:
|
||||||
|
- Paxprotej
|
||||||
|
wiki:
|
||||||
|
publish: true
|
||||||
|
siblings:
|
||||||
|
release_date: 2023-12-09
|
||||||
|
lrc: shimizusawa.lrc
|
||||||
|
---
|
||||||
# Shimizusawa
|
# Shimizusawa
|
||||||
|
|
||||||
|
[Shimizusawa Project](https://www.shimizusawa.com/)
|
||||||
|
|
||||||
|
## Lyrics
|
||||||
|
|
||||||
黒い黒いダイヤは
|
黒い黒いダイヤは
|
||||||
二度(ふたたび)眠りに落ちた
|
二度(ふたたび)眠りに落ちた
|
||||||
煤けた煙突は
|
煤けた煙突は
|
||||||
@@ -8,4 +23,4 @@
|
|||||||
見慣れた日常が
|
見慣れた日常が
|
||||||
なくなり続けても
|
なくなり続けても
|
||||||
清い水はこの沢に
|
清い水はこの沢に
|
||||||
ただ流れていく
|
ただ流れていく
|
||||||
|
|||||||
+14
-11
@@ -1,15 +1,17 @@
|
|||||||
---
|
---
|
||||||
title: pulse under latent semantic envelopes - development notes
|
title: pulse under latent semantic envelopes - development notes
|
||||||
album: Shirakaba Express Service
|
|
||||||
categories:
|
categories:
|
||||||
- Songwriting notes
|
- Songwriting notes
|
||||||
wiki:
|
wiki:
|
||||||
publish: true
|
publish: true
|
||||||
|
siblings:
|
||||||
|
- path: pulse.md
|
||||||
|
tag: PULSE_SONG
|
||||||
---
|
---
|
||||||
|
|
||||||
# pulse under latent semantic envelopes: personal dev notes
|
# pulse under latent semantic envelopes: personal dev notes
|
||||||
|
|
||||||
The remaining bits of how I came to all this
|
The remaining bits of how I came to all this. For the actual song page, see PULSE_SONG.
|
||||||
|
|
||||||
## Planning area
|
## Planning area
|
||||||
|
|
||||||
@@ -31,20 +33,21 @@ Submarine, underwater, subsonic and supersonic pings as well as passive hydroaco
|
|||||||
|
|
||||||
Literally, there can be long, essay-like, paragraphs (not too many) with structurally interconneting statements and sentences. But flairs of fragmented fractures of language (almost alliteration) is also appreciated and desired.
|
Literally, there can be long, essay-like, paragraphs (not too many) with structurally interconneting statements and sentences. But flairs of fragmented fractures of language (almost alliteration) is also appreciated and desired.
|
||||||
|
|
||||||
**Structural proposal**
|
**Structural proposal**
|
||||||
1. "Surface." - the breach, the fever-dream opener
|
1. "Surface." - the breach, the fever-dream opener
|
||||||
2. Instrumental - let the image settle
|
2. Instrumental - let the image settle
|
||||||
3. Essay/documentary - the explanatory core, almost clinical, "semi-boring scientific" (this is where the concept gets stated plainly before the rest of the song complicates it)
|
3. Essay/documentary - the explanatory core, almost clinical, "semi-boring scientific" (this is where the concept gets stated plainly before the rest of the song complicates it)
|
||||||
4. Instrumental - going into the poemic verses
|
4. Instrumental - going into the poemic verses
|
||||||
5. Poem-ic verses - emotional density, maybe climax, maybe not
|
5. Poem-ic verses - emotional density, maybe climax, maybe not
|
||||||
6. P-U-L-S-E 5-liners - trademark closer, acrostic constraint
|
6. P-U-L-S-E 5-liners - trademark closer, acrostic constraint
|
||||||
7. Instrumental outro
|
7. Instrumental outro
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
## Construction zone
|
## Construction zone
|
||||||
|
|
||||||
The first locked in draft version of the song. Things get developed even after this version.
|
The first locked in draft version of the song. Things got developed even after this version.
|
||||||
|
*and yes, I did use a C++ code block to write my lyrics.*
|
||||||
|
|
||||||
```cpp
|
```cpp
|
||||||
// Opener
|
// Opener
|
||||||
|
|||||||
@@ -1,5 +1,17 @@
|
|||||||
|
---
|
||||||
|
title: Tunnels
|
||||||
|
album: Shirakaba Express Service
|
||||||
|
wiki:
|
||||||
|
publish: true
|
||||||
|
siblings:
|
||||||
|
release_date: 2026-03-01
|
||||||
|
lrc: tunnels.lrc
|
||||||
|
---
|
||||||
|
|
||||||
# Tunnels
|
# Tunnels
|
||||||
|
|
||||||
|
## Lyrics
|
||||||
|
|
||||||
The long dark road spanning within the mountains
|
The long dark road spanning within the mountains
|
||||||
is plagued by tunnels
|
is plagued by tunnels
|
||||||
and an illusion induced by mechanical and neural fatigue
|
and an illusion induced by mechanical and neural fatigue
|
||||||
@@ -12,3 +24,9 @@ the long dark road spanning within the mountains.
|
|||||||
|
|
||||||
集中すればするほど、
|
集中すればするほど、
|
||||||
輪郭が、溶けていく。
|
輪郭が、溶けていく。
|
||||||
|
|
||||||
|
The long dark road spanning within the mountains
|
||||||
|
is plagued by tunnels
|
||||||
|
and an illusion induced by mechanical and neural fatigue
|
||||||
|
that the night sky is but an arch over
|
||||||
|
the long dark road spanning within the mountains.
|
||||||
|
|||||||
Reference in New Issue
Block a user