ymgj: migrated from google drive

kairo/kimito_en.md

@@ -1 +1,82 @@
-placeholder until I remember what the new title actually would be
+# You and me and a gentle journey
+
+*(WIP)*
+
+## Translation
+
+You know there was a dream I had long ago  
+Of a somewhere that is far away  
+And a journey for the two of us  
+An end I am yet to have you see  
+
+All of the lost stuff  
+Collecting but dust  
+Forgotten up there on overhead racks  
+
+It’s going to take time  
+Until the end and (should) 
+Should you feel like dreaming  
+You’re always welcome on my shoulder  
+
+
+
+A voice of comfort   
+A voice of yours  
+
+
+
+
+
+
+The scenery a-flowing by  
+The swaying train, and this feeling merged and intertwined  
+In a stream of journey to which  
+For now I shall give myself away  
+
+If not with me you abide
+There won’t be not such meaningful events left  
+
+
+
+To go across the borderline   
+
+## Original for my sins
+
+いつか見た夢の話  
+遠い遠い国のこと  
+仕舞い忘れた  
+私たちの旅  
+
+忘れ物  
+置いてきた  
+網棚の上にあった  
+
+まだ時間が  
+かかるみたい  
+寝てていいよ  
+ほら肩にもたれて  
+
+深い深い眠りに落ちると  
+聞こえるの  
+ほら　懐かしい声  
+君の声  
+
+二人ならどこまででも  
+行けると信じていると  
+笑う君を  
+ああ愛しいと思う  
+  
+流れてく景色  
+揺れる列車とこの思いが  
+紡ぐ旅に 
+今は身を任せよ  
+
+二人で歩けないなら 
+そこに意味はないんだと  
+泣いた君を  
+ああ美しいと思う  
+
+境界を越えて届け  
+あの日の記憶の欠片  
+いつか思い出すよ  
+この旅路を  

wip/pulse.md

@@ -35,35 +35,53 @@ Literally, there can be long, essay-like, paragraphs (not too many) with structu
 
 ## Construction zone
 
-```c
+```cpp
 // Opener
-Surface. The equilibrium of silence between the watery planes, the optical waves, and the static magnetic noise 
-almost devours the outboard outbound overhead informational motorway
-imagined in the imaginary region of concrete and steel obelisks protruding many kilometres away
+Surface. 
+The equilibrium of silence between the static magnetic noise, the watery planes, and the optical waves
+blurring the electronic signs over the outbound informational motorway.
+Images imagined in the imaginary region of the protruding obelisks many kilometres away
+from this here expanding entropy killing various variables as abnormal heat usually may.
 // think a submarine surfacing at night to do some radio comms as the starting point, then infuse it with a fever dream
+// 'Images imagined in the imaginary region' is half wordplay, half multimedia transmission with a loss (signal-wise). the obelisks are basically antennae.
 
-// semi-poetic one this, read out clearly
-// fix later for better bridging from the above verse, or don't fix
-In the broad spectrum of electromagnetic radiation, some signals are designed for maximum reach. 
-Broadcast towers, emergency beacons, commercial transmissions saturating available bandwidth. 
-Others exist barely above the noise floor - weak, persistent, easy to miss.  
+Dive.
+The black screen of stalemate conceals the black stars, the black comets, the black meteorites
+their questionable glitters and gleams, once emissions of brave borderers and dark adventurers
+now the only traces, obscured and indifferent to all but those with a special breed of faith.
+// 'Dive' - an opposite to 'Surface'. This is on the receiving end. 
+// Just see this as 'receiving other guys' pulses'. 
+// 'Brave Borderer' and 'Dark Adventurer' are Royal Navy patrol boats, but the names are kind of fitting and confusing so at home here. Maybe.
 
-// The pseudo documentary narration, half-blended into the background
-The term "ambient frequency" refers to the aggregate of background signals present in a given environment. In urban contexts, this includes electromagnetic interference from power infrastructure, wireless communications networks, and consumer electronic devices. The ambient field is not centrally coordinated. No single source generates it. It emerges from the cumulative output of many transmitters operating within similar parameters. The resulting noise floor is persistent and, under normal conditions, unremarkable. Signals that fall below this threshold remain technically present but are not distinguishable from the noise itself. For practical purposes, they are not received.
+// Instrumental bridging. 
+
+// The pseudo documentary narration, half-blended into the background music
+// in a metalingual sense the music is the background noise and the narration is the signal with a low SNR. Or one could consider the roles swapped. 
+The term "ambient frequency" refers to the aggregate of background signals present in a given environment. In urban contexts, this includes electromagnetic interference from power infrastructure, wireless communications networks, and consumer electronic devices. The ambient field is not centrally coordinated. No single source generates it. It emerges from the cumulative output of many transmitters operating within similar parameters. The resulting noise floor is persistent and of low significance under normal circumstances. Signals that fall below this threshold remain technically present but are not distinguishable from the noise itself, and are not considered practially receivable. 
 
 An impulse signal, sometimes referred to as a unit impulse, is defined as a signal with zero amplitude at all points except for a single instant, at which point its amplitude approaches infinity while its total energy remains finite. In practical applications, true impulse signals cannot be generated; they are approximated by short-duration waveforms of high amplitude. The impulse response of any linear system - that is, the system's output when presented with an impulse input - fully characterises that system's behaviour. From a single impulse and its response, the complete identity of the system can be derived. This property is considered fundamental to signal analysis.
 
 // build some tension with bass and drum and fiddle here
 
-Subdued sonic scalars vectorise, refract at the shades of a medium agnostic whale,          
-acoustic aberrations distort and dissipate in the depths of dovecot's quay. 
+// sung part so count the syllables
+// more 'rhythmic yelling' than singing, you get the idea
+Subdued sonic scalars vectorise
+Acoustic aberrations dissipate
+// sahb - duwd - sao - nihk - skay - lahrs - vehk - tahr - rayz,
+// (ah - ) kaws - tihk - ax - bahr - ray - shaxns - dihs - sah - payt
 
-Submerged sauna steam through the perplexity provided per common concensus
-to .... (unfinished)
+Spectral broadcast lossy with a narrow sight
+No perceived replies per design
+// needs further tweaking
 
-(borrowing a horse that probably has no names)
-The ocean is a desert with its life underground and the perfect thermocline above, 
-(and) even if the humans spare no love they will unconsiously learn to love the pulse.
+The ocean as a desert buries all of its life
+Deck the shell with a perfect thermocline
+// (thax - ) ao - sheh(n) - naes - ax - deh - zahrt - bah - riys - ao(l) - lahv - ihts - layf
+// (dehk - thax - ) shehl - wit - ax - pahr - fekt - thahr - mow - klayn
+
+A dim light dies in the rover's eyes
+Or the next one could never come otherwise
+// Thoughts: 'the light dies' because a pulse is mostly dormant you wanker. You have to let the light die so it lights up again, simple as
 
 // ending verse(s) before the painfully long instrumental outro
 p.....

wip/xiyuan.md

@@ -0,0 +1,3 @@
+# 西苑
+
+可能会改标题吧