pulse: changes on encyclopedia entry

wip/pulse.md

@@ -35,35 +35,53 @@ Literally, there can be long, essay-like, paragraphs (not too many) with structu
 
 ## Construction zone
 
-```c
+```cpp
 // Opener
-Surface. The equilibrium of silence between the watery planes, the optical waves, and the static magnetic noise 
+Surface. 
-almost devours the outboard outbound overhead informational motorway
+The equilibrium of silence between the static magnetic noise, the watery planes, and the optical waves
-imagined in the imaginary region of concrete and steel obelisks protruding many kilometres away
+blurring the electronic signs over the outbound informational motorway.
+Images imagined in the imaginary region of the protruding obelisks many kilometres away
+from this here expanding entropy killing various variables as abnormal heat usually may.
 // think a submarine surfacing at night to do some radio comms as the starting point, then infuse it with a fever dream
+// 'Images imagined in the imaginary region' is half wordplay, half multimedia transmission with a loss (signal-wise). the obelisks are basically antennae.
 
-// semi-poetic one this, read out clearly
+Dive.
-// fix later for better bridging from the above verse, or don't fix
+The black screen of stalemate conceals the black stars, the black comets, the black meteorites
-In the broad spectrum of electromagnetic radiation, some signals are designed for maximum reach. 
+their questionable glitters and gleams, once emissions of brave borderers and dark adventurers
-Broadcast towers, emergency beacons, commercial transmissions saturating available bandwidth. 
+now the only traces, obscured and indifferent to all but those with a special breed of faith.
-Others exist barely above the noise floor - weak, persistent, easy to miss.  
+// 'Dive' - an opposite to 'Surface'. This is on the receiving end. 
+// Just see this as 'receiving other guys' pulses'. 
+// 'Brave Borderer' and 'Dark Adventurer' are Royal Navy patrol boats, but the names are kind of fitting and confusing so at home here. Maybe.
 
-// The pseudo documentary narration, half-blended into the background
+// Instrumental bridging. 
-The term "ambient frequency" refers to the aggregate of background signals present in a given environment. In urban contexts, this includes electromagnetic interference from power infrastructure, wireless communications networks, and consumer electronic devices. The ambient field is not centrally coordinated. No single source generates it. It emerges from the cumulative output of many transmitters operating within similar parameters. The resulting noise floor is persistent and, under normal conditions, unremarkable. Signals that fall below this threshold remain technically present but are not distinguishable from the noise itself. For practical purposes, they are not received.
+
+// The pseudo documentary narration, half-blended into the background music
+// in a metalingual sense the music is the background noise and the narration is the signal with a low SNR. Or one could consider the roles swapped. 
+The term "ambient frequency" refers to the aggregate of background signals present in a given environment. In urban contexts, this includes electromagnetic interference from power infrastructure, wireless communications networks, and consumer electronic devices. The ambient field is not centrally coordinated. No single source generates it. It emerges from the cumulative output of many transmitters operating within similar parameters. The resulting noise floor is persistent and of low significance under normal circumstances. Signals that fall below this threshold remain technically present but are not distinguishable from the noise itself, and are not considered practially receivable. 
 
 An impulse signal, sometimes referred to as a unit impulse, is defined as a signal with zero amplitude at all points except for a single instant, at which point its amplitude approaches infinity while its total energy remains finite. In practical applications, true impulse signals cannot be generated; they are approximated by short-duration waveforms of high amplitude. The impulse response of any linear system - that is, the system's output when presented with an impulse input - fully characterises that system's behaviour. From a single impulse and its response, the complete identity of the system can be derived. This property is considered fundamental to signal analysis.
 
 // build some tension with bass and drum and fiddle here
 
-Subdued sonic scalars vectorise, refract at the shades of a medium agnostic whale,          
+// sung part so count the syllables
-acoustic aberrations distort and dissipate in the depths of dovecot's quay. 
+// more 'rhythmic yelling' than singing, you get the idea
+Subdued sonic scalars vectorise
+Acoustic aberrations dissipate
+// sahb - duwd - sao - nihk - skay - lahrs - vehk - tahr - rayz,
+// (ah - ) kaws - tihk - ax - bahr - ray - shaxns - dihs - sah - payt
 
-Submerged sauna steam through the perplexity provided per common concensus
+Spectral broadcast lossy with a narrow sight
-to .... (unfinished)
+No perceived replies per design
+// needs further tweaking
 
-(borrowing a horse that probably has no names)
+The ocean as a desert buries all of its life
-The ocean is a desert with its life underground and the perfect thermocline above, 
+Deck the shell with a perfect thermocline
-(and) even if the humans spare no love they will unconsiously learn to love the pulse.
+// (thax - ) ao - sheh(n) - naes - ax - deh - zahrt - bah - riys - ao(l) - lahv - ihts - layf
+// (dehk - thax - ) shehl - wit - ax - pahr - fekt - thahr - mow - klayn
+
+A dim light dies in the rover's eyes
+Or the next one could never come otherwise
+// Thoughts: 'the light dies' because a pulse is mostly dormant you wanker. You have to let the light die so it lights up again, simple as
 
 // ending verse(s) before the painfully long instrumental outro
 p.....

wip/xiyuan.md

@@ -0,0 +1,3 @@
+# 西苑
+
+可能会改标题吧