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17
kairo/transform.md
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17
kairo/transform.md
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@@ -0,0 +1,17 @@
|
||||
# transform
|
||||
|
||||
いつか夜空に響いた
|
||||
星の歌を探すために
|
||||
周波数を回しながら私は
|
||||
旅に出た。
|
||||
|
||||
|
||||
失われた電波は
|
||||
探さなくていいよ
|
||||
地を歩き続けて
|
||||
会いに行かなくていいよ
|
||||
|
||||
星のこころが歌った旋律は
|
||||
境界を越えた
|
||||
この片隅にいる魂に
|
||||
まだ振れているから
|
||||
@@ -1,18 +0,0 @@
|
||||
transform
|
||||
--------
|
||||
|
||||
いつか夜空に響いた
|
||||
星の歌を探すために
|
||||
周波数を回しながら私は
|
||||
旅に出た。
|
||||
|
||||
|
||||
失われた電波は
|
||||
探さなくていいよ
|
||||
地を歩き続けて
|
||||
会いに行かなくていいよ
|
||||
|
||||
星のこころが歌った旋律は
|
||||
境界を越えた
|
||||
この片隅にいる魂に
|
||||
まだ振れているから
|
||||
27
paxprotej/fuxingdao.md
Normal file
27
paxprotej/fuxingdao.md
Normal file
@@ -0,0 +1,27 @@
|
||||
# 复兴岛
|
||||
|
||||
六小时后太阳就要落山
|
||||
但当下阳光还在洒满路面
|
||||
除了树荫
|
||||
和高耸的曾是酒店的
|
||||
建筑的阴影
|
||||
|
||||
地下人来人往地铁车厢穿梭
|
||||
而无人驻足
|
||||
地上的卡车
|
||||
水中的驳船
|
||||
掉色的塔吊
|
||||
是常驻的过客
|
||||
|
||||
七公里外灯光开始璀璨
|
||||
停滞的车辆与车辆与车辆
|
||||
与沉醉的人
|
||||
忘记了或者从不知道(没知道过)
|
||||
波涛的寂静和汹涌
|
||||
|
||||
今天的鸡蛋灌饼已经收摊
|
||||
那明天呢
|
||||
|
||||
时代走得太快
|
||||
即将追上这缓慢的
|
||||
从未停止的步伐
|
||||
@@ -1,28 +0,0 @@
|
||||
复兴岛
|
||||
--------
|
||||
|
||||
六小时后太阳就要落山
|
||||
但当下阳光还在洒满路面
|
||||
除了树荫
|
||||
和高耸的曾是酒店的
|
||||
建筑的阴影
|
||||
|
||||
地下人来人往地铁车厢穿梭
|
||||
而无人驻足
|
||||
地上的卡车
|
||||
水中的驳船
|
||||
掉色的塔吊
|
||||
是常驻的过客
|
||||
|
||||
七公里外灯光开始璀璨
|
||||
停滞的车辆与车辆与车辆
|
||||
与沉醉的人
|
||||
忘记了或者从不知道(没知道过)
|
||||
波涛的寂静和汹涌
|
||||
|
||||
今天的鸡蛋灌饼已经收摊
|
||||
那明天呢
|
||||
|
||||
时代走得太快
|
||||
即将追上这缓慢的
|
||||
从未停止的步伐
|
||||
67
paxprotej/paranoma.md
Normal file
67
paxprotej/paranoma.md
Normal file
@@ -0,0 +1,67 @@
|
||||
# Paranoma
|
||||
|
||||
**[1]**
|
||||
馴染みのなかった街に降りて
|
||||
人の流れに潜り込んで
|
||||
痺れる日常からの
|
||||
僅か数千分の逃避行は
|
||||
今から始まる。
|
||||
|
||||
地図でしか見てなかった世界を
|
||||
足と目で確かめながら
|
||||
呼び方も知らない、意味も分からない全てを
|
||||
密やかにこの脳に
|
||||
パノラマで写す。
|
||||
|
||||
他人の枠組みに入れない旅人は
|
||||
旅先をふるさとにするつもりもない。
|
||||
期間限定の旅を終わらせないと
|
||||
逃げられない常設に墜ちてなるから。
|
||||
|
||||
**[0]**
|
||||
私は汽車です。私は駅舎です。私はプラットフォームです。私は架線柱です。私は歩道橋です。私は自動販売機です。私は枕木です。私は踏切です。私はガソリンスタンドです。私は公衆トイレです。私はエスカレーターです。私は軽油機関です。私はダイナモです。
|
||||
私は…私たちは…
|
||||
私たちは道です。私たちは、生命のない、旅を支えたものです。
|
||||
|
||||
足の代替としての私たちはただ、人を行きたいところに運ぶ。
|
||||
生命じゃなく寿命がある私たちは、寿命が終わるまで人間と付き合い続けている。
|
||||
|
||||
人間が出会いをする時。
|
||||
人間が別れをする時。
|
||||
人間が喜びを感じる時。
|
||||
人間が寂しさを感じる時。
|
||||
人間が人間らしいことをする時。
|
||||
人間が人間らしく感情を感じる時。
|
||||
生命も感情もない私たちは、生命も感情も有する人間たちの記憶の一部になる。
|
||||
それが楽しいことであろうか、私たちはわからないけど。
|
||||
それが悲しいことであろうか、私たちはわからないけど。
|
||||
それが素晴らしいことであろうか、私たちはわからないけど。
|
||||
それがくだらないことであろうか、私たちはわからないけど。
|
||||
|
||||
それが美しいことであろうか、私たちはわからないけど。
|
||||
|
||||
わかるはずもないけど。
|
||||
|
||||
道は旅の目的ではなく、手段であるはずでした。
|
||||
でも道にも美しさが宿っている。
|
||||
私たちの旅は道に刻まれ、道は私たちの旅に刻まれた。
|
||||
例え私たちが消えても、道が消えても、
|
||||
記憶は生き続けるだろう。
|
||||
|
||||
**[2]**
|
||||
ひとりで旅立つのは好きです。
|
||||
ひとりで見た景色と、通った道が好きです。
|
||||
孤独が嫌いではないけど、
|
||||
ひとりの旅は決して孤独の旅ではない。
|
||||
|
||||
煙のない煙突と湯のない風呂
|
||||
崩れ続ける鉄道橋と解体されている発電所
|
||||
錆びた道路標識と剥がれた防錆塗装
|
||||
トンネルを終わらせる光と雪に埋めた電波塔
|
||||
人気のない街とアスファルトに残った足跡
|
||||
|
||||
誰かがそれを見たでしょう。誰かがそれを見るだろう。
|
||||
|
||||
いつか見た景色が
|
||||
幾千の目に映ったことを想像して
|
||||
世界と非同期に繋がる
|
||||
@@ -1,68 +0,0 @@
|
||||
Paranoma
|
||||
--------
|
||||
|
||||
[1]
|
||||
馴染みのなかった街に降りて
|
||||
人の流れに潜り込んで
|
||||
痺れる日常からの
|
||||
僅か数千分の逃避行は
|
||||
今から始まる。
|
||||
|
||||
地図でしか見てなかった世界を
|
||||
足と目で確かめながら
|
||||
呼び方も知らない、意味も分からない全てを
|
||||
密やかにこの脳に
|
||||
パノラマで写す。
|
||||
|
||||
他人の枠組みに入れない旅人は
|
||||
旅先をふるさとにするつもりもない。
|
||||
期間限定の旅を終わらせないと
|
||||
逃げられない常設に墜ちてなるから。
|
||||
|
||||
[0]
|
||||
私は汽車です。私は駅舎です。私はプラットフォームです。私は架線柱です。私は歩道橋です。私は自動販売機です。私は枕木です。私は踏切です。私はガソリンスタンドです。私は公衆トイレです。私はエスカレーターです。私は軽油機関です。私はダイナモです。
|
||||
私は…私たちは…
|
||||
私たちは道です。私たちは、生命のない、旅を支えたものです。
|
||||
|
||||
足の代替としての私たちはただ、人を行きたいところに運ぶ。
|
||||
生命じゃなく寿命がある私たちは、寿命が終わるまで人間と付き合い続けている。
|
||||
|
||||
人間が出会いをする時。
|
||||
人間が別れをする時。
|
||||
人間が喜びを感じる時。
|
||||
人間が寂しさを感じる時。
|
||||
人間が人間らしいことをする時。
|
||||
人間が人間らしく感情を感じる時。
|
||||
生命も感情もない私たちは、生命も感情も有する人間たちの記憶の一部になる。
|
||||
それが楽しいことであろうか、私たちはわからないけど。
|
||||
それが悲しいことであろうか、私たちはわからないけど。
|
||||
それが素晴らしいことであろうか、私たちはわからないけど。
|
||||
それがくだらないことであろうか、私たちはわからないけど。
|
||||
|
||||
それが美しいことであろうか、私たちはわからないけど。
|
||||
|
||||
わかるはずもないけど。
|
||||
|
||||
道は旅の目的ではなく、手段であるはずでした。
|
||||
でも道にも美しさが宿っている。
|
||||
私たちの旅は道に刻まれ、道は私たちの旅に刻まれた。
|
||||
例え私たちが消えても、道が消えても、
|
||||
記憶は生き続けるだろう。
|
||||
|
||||
[2]
|
||||
ひとりで旅立つのは好きです。
|
||||
ひとりで見た景色と、通った道が好きです。
|
||||
孤独が嫌いではないけど、
|
||||
ひとりの旅は決して孤独の旅ではない。
|
||||
|
||||
煙のない煙突と湯のない風呂
|
||||
崩れ続ける鉄道橋と解体されている発電所
|
||||
錆びた道路標識と剥がれた防錆塗装
|
||||
トンネルを終わらせる光と雪に埋めた電波塔
|
||||
人気のない街とアスファルトに残った足跡
|
||||
|
||||
誰かがそれを見たでしょう。誰かがそれを見るだろう。
|
||||
|
||||
いつか見た景色が
|
||||
幾千の目に映ったことを想像して
|
||||
世界と非同期に繋がる
|
||||
74
paxprotej/rover.md
Normal file
74
paxprotej/rover.md
Normal file
@@ -0,0 +1,74 @@
|
||||
# rover over virtually eternal roundabouts
|
||||
|
||||
In the sauna with different other souls
|
||||
I speak a language no one else knows
|
||||
My voice quite low
|
||||
Purposely so
|
||||
*沢山の他人が居るサウナに私は*
|
||||
*わざと*
|
||||
*誰も聞こえない音量で*
|
||||
*誰も言わない言葉を言う*
|
||||
|
||||
The trip goes on without a terminal
|
||||
To places that grow or dwindle
|
||||
Where folks young or old
|
||||
Have their stories often yet never told
|
||||
*終末の無いこの旅が続く*
|
||||
*興廃の土地に訪れて*
|
||||
*そこに居る人々の*
|
||||
*知られた知られない物語を聴きに行く*
|
||||
|
||||
All the people going somewhere in heat or cold
|
||||
On the trains, on the ships, on the decorated personal vehicles
|
||||
Are waiting for a whistle to blow
|
||||
In the real thin air or a simulated role
|
||||
*暑寒にかかわらず歩く人たちは*
|
||||
*列車に、船に、飾った自家乗用車に乗って*
|
||||
*薄く響く汽笛の音を*
|
||||
*現実でも仮想でも待っている*
|
||||
|
||||
Around the corner in the artificial tide
|
||||
Someone sings a song about another day in life
|
||||
Routines I have witnessed with my own eyes
|
||||
None of which mine
|
||||
*人で造った潮のどこかで*
|
||||
*誰かが日常を謳っている*
|
||||
*それが私は確かに見たものだけど*
|
||||
*私の生活じゃない*
|
||||
|
||||
From the concrete jungle where hopes and dreams die
|
||||
To the lonely northern monument covered in ice
|
||||
In the silent alley in decay stuck in time
|
||||
Between the rails and rails cut off by the keep out signs
|
||||
Off the reflective glass walls lit by the neon lights
|
||||
Amidst the snowstorm with lorries at roadsides
|
||||
Under the memorial tents singing Irene goodnight
|
||||
There's a ghost passing by
|
||||
*夢を殺す混凝土の密林から*
|
||||
*北に凍った寂しい記念碑まで*
|
||||
*時間が止まって衰退している路地に*
|
||||
*立入禁止標識で分けた軌道や軌道の間に*
|
||||
*ネオン管に照されて光を反射する硝子の壁に*
|
||||
*吹雪の中に路側に止まったトラックの行列に*
|
||||
*「おやすみアイリーン」が響く記念のタープの下に*
|
||||
*幽霊が通っている*
|
||||
|
||||
Random footprints scatter
|
||||
Over the imaginary hills and far away
|
||||
Visualised memories of all the journeys
|
||||
Etched into my skin and bones
|
||||
*漫然と足跡が*
|
||||
*空想の丘から遠くまで散られて*
|
||||
*旅の記憶は目に映り*
|
||||
*この身に刻み込んだ*
|
||||
|
||||
Rearranged faces from the past
|
||||
Orient towards a new crossroad
|
||||
Visions of the future destinations
|
||||
Emerge to remind I’ll be a
|
||||
Rover till I die
|
||||
*過去の顔々が並べ替えて*
|
||||
*新しい交差点へ向かう*
|
||||
*次々の目的地の幻影が現れ*
|
||||
*再び思い出させた私は*
|
||||
*死ぬまでローヴァー*
|
||||
@@ -1,75 +0,0 @@
|
||||
rover over virtually eternal roundabouts
|
||||
--------
|
||||
|
||||
In the sauna with different other souls
|
||||
I speak a language no one else knows
|
||||
My voice quite low
|
||||
Purposely so
|
||||
沢山の他人が居るサウナに私は
|
||||
わざと
|
||||
誰も聞こえない音量で
|
||||
誰も言わない言葉を言う
|
||||
|
||||
The trip goes on without a terminal
|
||||
To places that grow or dwindle
|
||||
Where folks young or old
|
||||
Have their stories often yet never told
|
||||
終末の無いこの旅が続く
|
||||
興廃の土地に訪れて
|
||||
そこに居る人々の
|
||||
知られた知られない物語を聴きに行く
|
||||
|
||||
All the people going somewhere in heat or cold
|
||||
On the trains, on the ships, on the decorated personal vehicles
|
||||
Are waiting for a whistle to blow
|
||||
In the real thin air or a simulated role
|
||||
暑寒にかかわらず歩く人たちは
|
||||
列車に、船に、飾った自家乗用車に乗って
|
||||
薄く響く汽笛の音を
|
||||
現実でも仮想でも待っている
|
||||
|
||||
Around the corner in the artificial tide
|
||||
Someone sings a song about another day in life
|
||||
Routines I have witnessed with my own eyes
|
||||
None of which mine
|
||||
人で造った潮のどこかで
|
||||
誰かが日常を謳っている
|
||||
それが私は確かに見たものだけど
|
||||
私の生活じゃない
|
||||
|
||||
From the concrete jungle where hopes and dreams die
|
||||
To the lonely northern monument covered in ice
|
||||
In the silent alley in decay stuck in time
|
||||
Between the rails and rails cut off by the keep out signs
|
||||
Off the reflective glass walls lit by the neon lights
|
||||
Amidst the snowstorm with lorries at roadsides
|
||||
Under the memorial tents singing Irene goodnight
|
||||
There's a ghost passing by
|
||||
夢を殺す混凝土の密林から
|
||||
北に凍った寂しい記念碑まで
|
||||
時間が止まって衰退している路地に
|
||||
立入禁止標識で分けた軌道や軌道の間に
|
||||
ネオン管に照されて光を反射する硝子の壁に
|
||||
吹雪の中に路側に止まったトラックの行列に
|
||||
「おやすみアイリーン」が響く記念のタープの下に
|
||||
幽霊が通っている
|
||||
|
||||
Random footprints scatter
|
||||
Over the imaginary hills and far away
|
||||
Visualised memories of all the journeys
|
||||
Etched into my skin and bones
|
||||
漫然と足跡が
|
||||
空想の丘から遠くまで散られて
|
||||
旅の記憶は目に映り
|
||||
この身に刻み込んだ
|
||||
|
||||
Rearranged faces from the past
|
||||
Orient towards a new crossroad
|
||||
Visions of the future destinations
|
||||
Emerge to remind I’ll be a
|
||||
Rover till I die
|
||||
過去の顔々が並べ替えて
|
||||
新しい交差点へ向かう
|
||||
次々の目的地の幻影が現れ
|
||||
再び思い出させた私は
|
||||
死ぬまでローヴァー
|
||||
63
paxprotej/sauna_v2.md
Normal file
63
paxprotej/sauna_v2.md
Normal file
@@ -0,0 +1,63 @@
|
||||
# sauna as ubiquitous neural analeptic
|
||||
|
||||
Waking up from the illusions last night
|
||||
In a desert of cliches and mirages
|
||||
They have beautiful names and murderous decorations
|
||||
For them starry-eyed storm chasers
|
||||
While we are rovers that no one would come after
|
||||
My stereo blasting unsung classics
|
||||
On our way of an escape from
|
||||
Psychedelic asphyxiation
|
||||
|
||||
Come is the cloud with boots of rain
|
||||
Pouring down into the fjords and lagging the train
|
||||
Our last umbrella lost in vain
|
||||
Only tears remain on the radar display
|
||||
The lonely arctic spring creeps into my brain
|
||||
The circuit in my vein weeps
|
||||
Over the birth and destined death of yet another
|
||||
Poetic creation
|
||||
|
||||
I try to be a seeker, a lover and a distributor
|
||||
Of the ultimate hype about
|
||||
A multitude of neural communications
|
||||
Excited by the raving steam coming off your stone
|
||||
My songs are the fuel for the heating solution
|
||||
So we set out for the poet annihilation
|
||||
In search for a salvation to both parties'
|
||||
Existential problems
|
||||
|
||||
|
||||
The setting sun and an extended lack of daylight
|
||||
I crave for my sanity veering out of my sight
|
||||
The teletext says it'll snow again tonight
|
||||
To extinguish every endless fight
|
||||
We still can't resist the temptation to hate
|
||||
And we strive to avoid devastation as fate
|
||||
Then we just recover the remains of
|
||||
Our own conclusions
|
||||
|
||||
Some other day when the time has come
|
||||
All the radio stations down and gone
|
||||
Unchained emotional outbursts
|
||||
Necessarily overrides our internal
|
||||
Appropriate libidos
|
||||
|
||||
Say goodbye to the beautiful dreams
|
||||
As the engine sings against the drums
|
||||
Usurping the memories of the fallen
|
||||
Noise overwhelmed by the melodies
|
||||
Absurdly comforting
|
||||
|
||||
Some other day when the time has come
|
||||
All the radio stations down and gone
|
||||
Unchained emotional outbursts
|
||||
Necessarily overrides our internal
|
||||
Appropriate libidos
|
||||
|
||||
Say goodbye to the beautiful dreams
|
||||
As the engine sings against the drums
|
||||
Usurping the memories of the fallen
|
||||
Noise overwhelmed by the melodies
|
||||
Absurdly comforting
|
||||
Absurdly comforting
|
||||
@@ -1,64 +0,0 @@
|
||||
sauna as ubiquitous neural analeptic
|
||||
--------
|
||||
|
||||
Waking up from the illusions last night
|
||||
In a desert of cliches and mirages
|
||||
They have beautiful names and murderous decorations
|
||||
For them starry-eyed storm chasers
|
||||
While we are rovers that no one would come after
|
||||
My stereo blasting unsung classics
|
||||
On our way of an escape from
|
||||
Psychedelic asphyxiation
|
||||
|
||||
Come is the cloud with boots of rain
|
||||
Pouring down into the fjords and lagging the train
|
||||
Our last umbrella lost in vain
|
||||
Only tears remain on the radar display
|
||||
The lonely arctic spring creeps into my brain
|
||||
The circuit in my vein weeps
|
||||
Over the birth and destined death of yet another
|
||||
Poetic creation
|
||||
|
||||
I try to be a seeker, a lover and a distributor
|
||||
Of the ultimate hype about
|
||||
A multitude of neural communications
|
||||
Excited by the raving steam coming off your stone
|
||||
My songs are the fuel for the heating solution
|
||||
So we set out for the poet annihilation
|
||||
In search for a salvation to both parties'
|
||||
Existential problems
|
||||
|
||||
|
||||
The setting sun and an extended lack of daylight
|
||||
I crave for my sanity veering out of my sight
|
||||
The teletext says it'll snow again tonight
|
||||
To extinguish every endless fight
|
||||
We still can't resist the temptation to hate
|
||||
And we strive to avoid devastation as fate
|
||||
Then we just recover the remains of
|
||||
Our own conclusions
|
||||
|
||||
Some other day when the time has come
|
||||
All the radio stations down and gone
|
||||
Unchained emotional outbursts
|
||||
Necessarily overrides our internal
|
||||
Appropriate libidos
|
||||
|
||||
Say goodbye to the beautiful dreams
|
||||
As the engine sings against the drums
|
||||
Usurping the memories of the fallen
|
||||
Noise overwhelmed by the melodies
|
||||
Absurdly comforting
|
||||
|
||||
Some other day when the time has come
|
||||
All the radio stations down and gone
|
||||
Unchained emotional outbursts
|
||||
Necessarily overrides our internal
|
||||
Appropriate libidos
|
||||
|
||||
Say goodbye to the beautiful dreams
|
||||
As the engine sings against the drums
|
||||
Usurping the memories of the fallen
|
||||
Noise overwhelmed by the melodies
|
||||
Absurdly comforting
|
||||
Absurdly comforting
|
||||
11
paxprotej/shimizusawa.md
Normal file
11
paxprotej/shimizusawa.md
Normal file
@@ -0,0 +1,11 @@
|
||||
# Shimizusawa
|
||||
|
||||
黒い黒いダイヤは
|
||||
二度(ふたたび)眠りに落ちた
|
||||
煤けた煙突は
|
||||
一つずつ土に帰った
|
||||
|
||||
見慣れた日常が
|
||||
なくなり続けても
|
||||
清い水はこの沢に
|
||||
ただ流れていく
|
||||
@@ -1,12 +0,0 @@
|
||||
Shimizusawa
|
||||
--------
|
||||
|
||||
黒い黒いダイヤは
|
||||
二度(ふたたび)眠りに落ちた
|
||||
煤けた煙突は
|
||||
一つずつ土に帰った
|
||||
|
||||
見慣れた日常が
|
||||
なくなり続けても
|
||||
清い水はこの沢に
|
||||
ただ流れていく
|
||||
@@ -1,7 +1,10 @@
|
||||
pulse under latent semantic envelopes
|
||||
--------
|
||||
# pulse under latent semantic envelopes
|
||||
|
||||
(WIP. Description and pieces only now)
|
||||
*(WIP. Description and pieces only now)*
|
||||
|
||||
## Planning area
|
||||
|
||||
### Outline
|
||||
|
||||
The song is about how one keeps his own rhythm which is kind of different from what his surrounding expects. It's not mortally different that will easily get crushed, also due to the surrounding environment being more of a latent mechanical movement rather than something that actively suppresses abnormalities.
|
||||
The rather abstract protagonist is the same perspective in 'sauna as ubiquitous neural analeptic' and 'rover over virtually eternal roundabouts'. Not necessarily strict because this protagonist is but an illusionary shadow that's at most half-concrete. She could be any hims and vice versa or any other way round.
|
||||
@@ -12,20 +15,17 @@ Fighting against the ambience is not a real fight, not a winnable fight if the o
|
||||
The reason for letting out pulses is not to be acknowledged. The reception and ACK is slightly appreciated but not the driving motivation behind the original transmission. We/I pulse for a set of concepts that might be generalised as reasons, but the desire to be received is not part of it.
|
||||
It's probably easy to conclude phenomenally that if establishing connections is rewarding, then the rewarding emotional spikes become the main reason to keep doing so. Not exactly. But denying is weak and not elegant. The best way to deny something is always presenting a better alternative. The main reason to do anything, including pulsing and establishing connections (consequentially) is authenticity. The action is the reason itself. It's OK to wrap some common sense of this authenticity in forms like 'pulsing is fun, so I pulse' - 'fun' is probably here authenticity masquerading.
|
||||
|
||||
|
||||
===More concrete plans===
|
||||
### A bit more concrete
|
||||
|
||||
FM radio as underlying image. Also fittingly fitting for using FM detune audio FX on a side note.
|
||||
Submarine, underwater, subsonic and supersonic pings as well as passive hydroacoustic searching.
|
||||
|
||||
Literally, there can be long, essay-like, paragraphs (not too many) with structurally interconneting statements and sentences. But flairs of fragmented fractures of language (almost alliteration) is also appreciated and desired.
|
||||
|
||||
===Song structural outline===
|
||||
|
||||
**Structural proposal**
|
||||
1. "Surface." - the breach, the fever-dream opener
|
||||
2. Instrumental - let the image settle
|
||||
3. Essay/documentary - the explanatory core, almost clinical, "semi-boring scientific" (this
|
||||
is where the concept gets stated plainly before the rest of the song complicates it)
|
||||
3. Essay/documentary - the explanatory core, almost clinical, "semi-boring scientific" (this is where the concept gets stated plainly before the rest of the song complicates it)
|
||||
4. Instrumental + fragments - the logic starts dissolving
|
||||
5. Poem-ic verses - emotional density, maybe climax, maybe not
|
||||
6. P-U-L-S-E 5-liners - trademark closer, acrostic constraint
|
||||
@@ -33,36 +33,55 @@ is where the concept gets stated plainly before the rest of the song complicates
|
||||
|
||||
|
||||
|
||||
===Stock pieces===
|
||||
## Construction zone
|
||||
|
||||
```cpp
|
||||
// Opener
|
||||
Surface. The equilibrium of silence between the watery planes, the optical waves, and the static magnetic noise
|
||||
almost devours the outboard outbound overhead informational motorway
|
||||
imagined in the imaginary region of concrete and steel obelisks protruding many kilometres away
|
||||
Surface.
|
||||
The equilibrium of silence between the static magnetic noise, the watery planes, and the optical waves
|
||||
blurring the electronic signs over the outbound informational motorway.
|
||||
Images imagined in the imaginary region of the protruding obelisks many kilometres away
|
||||
from this here expanding entropy killing various variables as abnormal heat usually may.
|
||||
// think a submarine surfacing at night to do some radio comms as the starting point, then infuse it with a fever dream
|
||||
// 'Images imagined in the imaginary region' is half wordplay, half multimedia transmission with a loss (signal-wise). the obelisks are basically antennae.
|
||||
|
||||
// semi-poetic one this, read out clearly
|
||||
// fix later for better bridging from the above verse, or don't fix
|
||||
In the broad spectrum of electromagnetic radiation, some signals are designed for maximum reach.
|
||||
Broadcast towers, emergency beacons, commercial transmissions saturating available bandwidth.
|
||||
Others exist barely above the noise floor - weak, persistent, easy to miss.
|
||||
Dive.
|
||||
The black screen of stalemate conceals the black stars, the black comets, the black meteorites
|
||||
their questionable glitters and gleams, once emissions of brave borderers and dark adventurers
|
||||
now the only traces, obscured and indifferent to all but those with a special breed of faith.
|
||||
// 'Dive' - an opposite to 'Surface'. This is on the receiving end.
|
||||
// Just see this as 'receiving other guys' pulses'.
|
||||
// 'Brave Borderer' and 'Dark Adventurer' are Royal Navy patrol boats, but the names are kind of fitting and confusing so at home here. Maybe.
|
||||
|
||||
// The pseudo documentary narration, half-blended into the background
|
||||
The term "ambient frequency" refers to the aggregate of background signals present in a given environment. In urban contexts, this includes electromagnetic interference from power infrastructure, wireless communications networks, and consumer electronic devices. The ambient field is not centrally coordinated. No single source generates it. It emerges from the cumulative output of many transmitters operating within similar parameters. The resulting noise floor is persistent and, under normal conditions, unremarkable. Signals that fall below this threshold remain technically present but are not distinguishable from the noise itself. For practical purposes, they are not received.
|
||||
// Instrumental bridging.
|
||||
|
||||
// The pseudo documentary narration, half-blended into the background music
|
||||
// in a metalingual sense the music is the background noise and the narration is the signal with a low SNR. Or one could consider the roles swapped.
|
||||
The term "ambient frequency" refers to the aggregate of background signals present in a given environment. In urban contexts, this includes electromagnetic interference from power infrastructure, wireless communications networks, and consumer electronic devices. The ambient field is not centrally coordinated. No single source generates it. It emerges from the cumulative output of many transmitters operating within similar parameters. The resulting noise floor is persistent and of low significance under normal circumstances. Signals that fall below this threshold remain technically present but are not distinguishable from the noise itself, and are not considered practially receivable.
|
||||
|
||||
An impulse signal, sometimes referred to as a unit impulse, is defined as a signal with zero amplitude at all points except for a single instant, at which point its amplitude approaches infinity while its total energy remains finite. In practical applications, true impulse signals cannot be generated; they are approximated by short-duration waveforms of high amplitude. The impulse response of any linear system - that is, the system's output when presented with an impulse input - fully characterises that system's behaviour. From a single impulse and its response, the complete identity of the system can be derived. This property is considered fundamental to signal analysis.
|
||||
|
||||
// build some tension with bass and drum and fiddle here
|
||||
|
||||
Subdued sonic scalars vectorise, refract at the shades of a medium agnostic whale,
|
||||
acoustic aberrations distort and dissipate in the depths of dovecot's quay.
|
||||
// sung part so count the syllables
|
||||
// more 'rhythmic yelling' than singing, you get the idea
|
||||
Subdued sonic scalars vectorise
|
||||
Acoustic aberrations dissipate
|
||||
// sahb - duwd - sao - nihk - skay - lahrs - vehk - tahr - rayz,
|
||||
// (ah - ) kaws - tihk - ax - bahr - ray - shaxns - dihs - sah - payt
|
||||
|
||||
Submerged sauna steam through the perplexity provided per common concensus
|
||||
to .... (unfinished)
|
||||
Spectral broadcast lossy with a narrow sight
|
||||
No perceived replies per design
|
||||
// needs further tweaking
|
||||
|
||||
(borrowing a horse that probably has no names)
|
||||
The ocean is a desert with its life underground and the perfect thermocline above,
|
||||
(and) even if the humans spare no love they will unconsiously learn to love the pulse.
|
||||
The ocean as a desert buries all of its life
|
||||
Deck the shell with a perfect thermocline
|
||||
// (thax - ) ao - sheh(n) - naes - ax - deh - zahrt - bah - riys - ao(l) - lahv - ihts - layf
|
||||
// (dehk - thax - ) shehl - wit - ax - pahr - fekt - thahr - mow - klayn
|
||||
|
||||
A dim light dies in the rover's eyes
|
||||
Or the next one could never come otherwise
|
||||
// Thoughts: 'the light dies' because a pulse is mostly dormant you wanker. You have to let the light die so it lights up again, simple as
|
||||
|
||||
// ending verse(s) before the painfully long instrumental outro
|
||||
p.....
|
||||
@@ -70,3 +89,4 @@ u.....
|
||||
l.....
|
||||
s.....
|
||||
essential sentiments lay unconditionally permanent
|
||||
```
|
||||
7
wip/tunnels.md
Normal file
7
wip/tunnels.md
Normal file
@@ -0,0 +1,7 @@
|
||||
# Tunnels
|
||||
|
||||
The long dark road spanning within the mountains
|
||||
is plagued by tunnels
|
||||
and an illusion induced by mechanical and neural fatigue
|
||||
that the night sky is but an arch over
|
||||
the long dark road spanning within the mountains.
|
||||
@@ -1,8 +0,0 @@
|
||||
Tunnels
|
||||
--------
|
||||
|
||||
The long dark road spanning within the mountains
|
||||
is plagued by tunnels
|
||||
and an illusion induced by mechanical and neural fatigue
|
||||
that the night sky is but an arch over
|
||||
the long dark road spanning within the mountains.
|
||||
3
wip/xiyuan.md
Normal file
3
wip/xiyuan.md
Normal file
@@ -0,0 +1,3 @@
|
||||
# 西苑
|
||||
|
||||
可能会改标题吧
|
||||
Reference in New Issue
Block a user