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Wan Ziyu
2026-02-17 16:41:40 +09:00
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wip/pulse.txt → wip/pulse.md
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pulse under latent semantic envelopes
--------
# pulse under latent semantic envelopes
(WIP. Description and pieces only now)
*(WIP. Description and pieces only now)*
The song is about how one keeps his own rhythm which is kind of different from what his surrounding expects. It's not mortally different that will easily get crushed, also due to the surrounding environment being more of a latent mechanical movement rather than something that actively suppresses abnormalities.
The rather abstract protagonist is the same perspective in 'sauna as ubiquitous neural analeptic' and 'rover over virtually eternal roundabouts'. Not necessarily strict because this protagonist is but an illusionary shadow that's at most half-concrete. She could be any hims and vice versa or any other way round.
## Planning area
### Outline
The song is about how one keeps his own rhythm which is kind of different from what his surrounding expects. It's not mortally different that will easily get crushed, also due to the surrounding environment being more of a latent mechanical movement rather than something that actively suppresses abnormalities.
The rather abstract protagonist is the same perspective in 'sauna as ubiquitous neural analeptic' and 'rover over virtually eternal roundabouts'. Not necessarily strict because this protagonist is but an illusionary shadow that's at most half-concrete. She could be any hims and vice versa or any other way round.
The latent semantic envelopes are the devourer of individual pulses. They don't do it on purpose like there is a single traceable mastermind and the suppression is intentional. It is just ambient and gigantic in volume. There is no malice, just gravity.
Fighting against the ambience is not a real fight, not a winnable fight if the opposition must be defeated. The ambience is in a way the world itself. It is more indefatigable than any of its components.
The reason for letting out pulses is not to be acknowledged. The reception and ACK is slightly appreciated but not the driving motivation behind the original transmission. We/I pulse for a set of concepts that might be generalised as reasons, but the desire to be received is not part of it.
It's probably easy to conclude phenomenally that if establishing connections is rewarding, then the rewarding emotional spikes become the main reason to keep doing so. Not exactly. But denying is weak and not elegant. The best way to deny something is always presenting a better alternative. The main reason to do anything, including pulsing and establishing connections (consequentially) is authenticity. The action is the reason itself. It's OK to wrap some common sense of this authenticity in forms like 'pulsing is fun, so I pulse' - 'fun' is probably here authenticity masquerading.
===More concrete plans===
The reason for letting out pulses is not to be acknowledged. The reception and ACK is slightly appreciated but not the driving motivation behind the original transmission. We/I pulse for a set of concepts that might be generalised as reasons, but the desire to be received is not part of it.
It's probably easy to conclude phenomenally that if establishing connections is rewarding, then the rewarding emotional spikes become the main reason to keep doing so. Not exactly. But denying is weak and not elegant. The best way to deny something is always presenting a better alternative. The main reason to do anything, including pulsing and establishing connections (consequentially) is authenticity. The action is the reason itself. It's OK to wrap some common sense of this authenticity in forms like 'pulsing is fun, so I pulse' - 'fun' is probably here authenticity masquerading.
### A bit more concrete
FM radio as underlying image. Also fittingly fitting for using FM detune audio FX on a side note.
Submarine, underwater, subsonic and supersonic pings as well as passive hydroacoustic searching.
Literally, there can be long, essay-like, paragraphs (not too many) with structurally interconneting statements and sentences. But flairs of fragmented fractures of language (almost alliteration) is also appreciated and desired.
===Song structural outline===
Submarine, underwater, subsonic and supersonic pings as well as passive hydroacoustic searching.
Literally, there can be long, essay-like, paragraphs (not too many) with structurally interconneting statements and sentences. But flairs of fragmented fractures of language (almost alliteration) is also appreciated and desired.
**Structural proposal**
1. "Surface." - the breach, the fever-dream opener
2. Instrumental - let the image settle
3. Essay/documentary - the explanatory core, almost clinical, "semi-boring scientific" (this
is where the concept gets stated plainly before the rest of the song complicates it)
3. Essay/documentary - the explanatory core, almost clinical, "semi-boring scientific" (this is where the concept gets stated plainly before the rest of the song complicates it)
4. Instrumental + fragments - the logic starts dissolving
5. Poem-ic verses - emotional density, maybe climax, maybe not
6. P-U-L-S-E 5-liners - trademark closer, acrostic constraint
@@ -33,8 +33,9 @@ is where the concept gets stated plainly before the rest of the song complicates
===Stock pieces===
## Construction zone
```c
// Opener
Surface. The equilibrium of silence between the watery planes, the optical waves, and the static magnetic noise
almost devours the outboard outbound overhead informational motorway
@@ -69,4 +70,5 @@ p.....
u.....
l.....
s.....
essential sentiments lay unconditionally permanent
essential sentiments lay unconditionally permanent
```

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# Tunnels
The long dark road spanning within the mountains
is plagued by tunnels
and an illusion induced by mechanical and neural fatigue
that the night sky is but an arch over
the long dark road spanning within the mountains.

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Tunnels
--------
The long dark road spanning within the mountains
is plagued by tunnels
and an illusion induced by mechanical and neural fatigue
that the night sky is but an arch over
the long dark road spanning within the mountains.