procedural progression

wip/pulse.txt

@@ -1,6 +1,72 @@
 pulse under latent semantic envelopes
 --------
 
-(WIP. Description only now)
-The song is about how one keeps his own rhythm which is kind of different from what his surrounding expects. It's not mortally different that will easily get crushed, also due to the surrounding environment being more of a latent mechanical movement rather than something that actively suppresses abnormalities. 
-The rather abstract protagonist is the same perspective in 'sauna as ubiquitous neural analeptic' and 'rover over virtually eternal roundabouts'. Not necessarily strict because this protagonist is but an illusionary shadow that's at most half-concrete. She could be any hims and vice versa or any other way round. 
+(WIP. Description and pieces only now)
+
+The song is about how one keeps his own rhythm which is kind of different from what his surrounding expects. It's not mortally different that will easily get crushed, also due to the surrounding environment being more of a latent mechanical movement rather than something that actively suppresses abnormalities.  
+The rather abstract protagonist is the same perspective in 'sauna as ubiquitous neural analeptic' and 'rover over virtually eternal roundabouts'. Not necessarily strict because this protagonist is but an illusionary shadow that's at most half-concrete. She could be any hims and vice versa or any other way round.  
+
+The latent semantic envelopes are the devourer of individual pulses. They don't do it on purpose like there is a single traceable mastermind and the suppression is intentional. It is just ambient and gigantic in volume. There is no malice, just gravity.  
+Fighting against the ambience is not a real fight, not a winnable fight if the opposition must be defeated. The ambience is in a way the world itself. It is more indefatigable than any of its components.  
+
+The reason for letting out pulses is not to be acknowledged. The reception and ACK is slightly appreciated but not the driving motivation behind the original transmission. We/I pulse for a set of concepts that might be generalised as reasons, but the desire to be received is not part of it.  
+It's probably easy to conclude phenomenally that if establishing connections is rewarding, then the rewarding emotional spikes become the main reason to keep doing so. Not exactly. But denying is weak and not elegant. The best way to deny something is always presenting a better alternative. The main reason to do anything, including pulsing and establishing connections (consequentially) is authenticity. The action is the reason itself. It's OK to wrap some common sense of this authenticity in forms like 'pulsing is fun, so I pulse' - 'fun' is probably here authenticity masquerading.
+
+
+===More concrete plans===
+
+FM radio as underlying image. Also fittingly fitting for using FM detune audio FX on a side note.  
+Submarine, underwater, subsonic and supersonic pings as well as passive hydroacoustic searching. 
+
+Literally, there can be long, essay-like, paragraphs (not too many) with structurally interconneting statements and sentences. But flairs of fragmented fractures of language (almost alliteration) is also appreciated and desired.
+
+===Song structural outline===
+
+1. "Surface." - the breach, the fever-dream opener
+2. Instrumental - let the image settle
+3. Essay/documentary - the explanatory core, almost clinical, "semi-boring scientific" (this
+is where the concept gets stated plainly before the rest of the song complicates it)
+4. Instrumental + fragments - the logic starts dissolving
+5. Poem-ic verses - emotional density, maybe climax, maybe not
+6. P-U-L-S-E 5-liners - trademark closer, acrostic constraint
+7. Instrumental outro
+
+
+
+===Stock pieces===
+
+// Opener
+Surface. The equilibrium of silence between the watery planes, the optical waves, and the static magnetic noise 
+almost devours the outboard outbound overhead informational motorway
+imagined in the imaginary region of concrete and steel obelisks protruding many kilometres away
+// think a submarine surfacing at night to do some radio comms as the starting point, then infuse it with a fever dream
+
+// semi-poetic one this, read out clearly
+// fix later for better bridging from the above verse, or don't fix
+In the broad spectrum of electromagnetic radiation, some signals are designed for maximum reach. 
+Broadcast towers, emergency beacons, commercial transmissions saturating available bandwidth. 
+Others exist barely above the noise floor - weak, persistent, easy to miss.  
+
+// The pseudo documentary narration, half-blended into the background
+The term "ambient frequency" refers to the aggregate of background signals present in a given environment. In urban contexts, this includes electromagnetic interference from power infrastructure, wireless communications networks, and consumer electronic devices. The ambient field is not centrally coordinated. No single source generates it. It emerges from the cumulative output of many transmitters operating within similar parameters. The resulting noise floor is persistent and, under normal conditions, unremarkable. Signals that fall below this threshold remain technically present but are not distinguishable from the noise itself. For practical purposes, they are not received.
+
+An impulse signal, sometimes referred to as a unit impulse, is defined as a signal with zero amplitude at all points except for a single instant, at which point its amplitude approaches infinity while its total energy remains finite. In practical applications, true impulse signals cannot be generated; they are approximated by short-duration waveforms of high amplitude. The impulse response of any linear system - that is, the system's output when presented with an impulse input - fully characterises that system's behaviour. From a single impulse and its response, the complete identity of the system can be derived. This property is considered fundamental to signal analysis.
+
+// build some tension with bass and drum and fiddle here
+
+Subdued sonic scalars vectorise, refract at the shades of a medium agnostic whale,          
+acoustic aberrations distort and dissipate in the depths of dovecot's quay. 
+
+Submerged sauna steam through the perplexity provided per common concensus
+to .... (unfinished)
+
+(borrowing a horse that probably has no names)
+The ocean is a desert with its life underground and the perfect thermocline above, 
+(and) even if the humans spare no love they will unconsiously learn to love the pulse.
+
+// ending verse(s) before the painfully long instrumental outro
+p.....
+u.....
+l.....
+s.....
+essential sentiments lay unconditionally permanent